The
meaning of “Hensley & Gibbs”
April 2008
A lot of folks have asked me over the
years what “Geo. A. Hensley” or “Hensley & Gibbs” means on the blocks of
the moulds.
Well, here is the answer:
Geo. A. Hensley stands for George A. Hensley,
a machinist who started the business in 1933 that eventually transformed into
“Hensley & Gibbs” in about 1941 when George partnered with James Gibbs,
father of Wayne Gibbs. George A. Hensley and James ran the business in
the war years (World War Two) out of a small shed in the back yard of George A.
Hensley’s home in
Eventually
George A. Hensley started the
business alone (solo) in about 1933.
Shortly thereafter, I don’t have an exact date,
he met James Gibbs, circa 1936 or so.
George made moulds alone, and marked first the
handles only, and then later the blocks with “GEO A. HENSLEY SAN DIEGO CA” for
years, until he decided to partner with James Gibbs. That partnership was “official” about 1941,
and the markings on the moulds changed to “HENSLEY
& GIBBS SAN DIEGO CA”. The next
change occurred in about 1954, when James Gibbs moved the mould
making business from San Diego to Murphy, Oregon, and the markings changed to
“HENSLEY & GIBBS MURPHY OR” which was the final mark used until the
business ceased operations in 1999. This
was a family business as you can see in this photo:
Pictured
are: James Gibbs (father of Wayne Gibbs),
Fred Hensley (George’s brother), and George Hensley working in the San Diego
shop behind George’s home.
One thing I’ve told folks over the years
about their operation is context. You, the user, have to take into
context time and location when talking about why a certain mould
was made which way, or why there are inconsistencies here and there on the mould stamping or other information.
In context, George Hensley started
making moulds in 1933 behind his home in the then
countryside of
(Wayne and I were chatting about
unstamped moulds if they were made by George A.
Hensley and sold under the Peerless name)
…It probably wasn't stamped Geo. A
Hensley, or H&G, just Peerless I'd guess. Those
were depression years, and George wasn't that well known so I'll bet he didn't
care whose name was on the product, as long as he turned out a good one. I
know they would have been of the same quality as the ones he turned out under
his own name. That was the only way George (and my dad) would have it, from my
experience.
I have letters from Elmer Keith on
his designs, especially #258 for the .41 Mag.
(That was the first cherry that
I made personally, as I recall) and letters from Dean Grennell--many
letters from Dean, in fact. Question--I haven't heard, but do you know if Dean
is still alive? He got where he couldn't hear on the phone, so he pretty
well gave up on phone calls, then he quit writing for Gun World (he said he
might as well quit writing anyway, as he couldn't find a place to shoot
anymore) Dean was a good guy, he meant what he said when he wrote.
He didn't like writers that
"prostituted" themselves for some free firearms trinkets.
On Elmer Keith's letters--My dad said
that they of course had a bunch of correspondence from Elmer (In those days we didn't
even have a phone in the shop, but George had a household phone in the house in
front of the shop)--people didn't phone long distance in those days, and it was
easier to read letters anyway, I guess. Anyhow, one day Pop came back from
lunch and George was out in the yard burning all the old correspondence. He
didn't see any use in keeping it, it was just in
the way. My dad took a more historical perspective on it, luckily, and
convinced George that it would be a good idea to keep much of it (that hadn't
already been burned) and hauled off the remainder.
One of these days I hope to get copies
of those Elmer Keith letters from Wayne Gibbs and post it here on the website
so we can all enjoy.